“Daybreak,” Over and Over.


You may not know the name of this image, but you’ve almost certainly seen it — or a variation of it, at least.

Entitled Daybreak, it was created in 1922 by Maxfield Parrish, the legendary artist whose 148th birthday was yesterday. An instant viral sensation, the painting’s popularity only grew as the century unfurled, becoming, like Benji Franklin’s “Join, or Die,” a sort of pre-internet meme.

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“Join, or Die:” America’s First Meme

Benjamin Franklin’s 1754 version of the iconic reptile.

The “Join, or Die” snake is one of America’s most recognizable, beloved and replicated icons. Emblazoned on flags and t-shirts, pillow cases and iPhone cases, and even on tv show title cards and in comic books, the image is upheld today as a both specifically as an emblem of American independence, and generally as bid for unity against a common oppression. But the world’s most adored reptile didn’t start this way.

Created by Benjamin Franklin in 1754, the “Join, or Die” snake originally signified loyalty to the English empire. It wasn’t a call to action, but an order to fall into line. It was only later that “Join, or Die” evolved into a revolutionary rallying cry — and when it did, it became America’s first meme, too.

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The Man Who Captured Motion, Eadward Muybridge

“Horse in Motion, 1878”

Eadward Muybridge, who was born on this date in 1830, had quite the life. An Englishman who emigrated to the States in 1850, at the age of 20, he worked as a publisher and bookseller in California, and he likely would have remained as such had it not been for a stage coach accident in Texas in 1860. Flung from the vehicle and hitting his head on a rock, Muybridge was taken to Arkansas for treatment following the accident, and it was there that he was introduced to photographer, a hobby that became his legacy. (Which is good, because otherwise he might be remembered for murdering his wife’s lover in 1874, a crime for which he was acquitted.)

Some of his first images were of the American West, including Yosemite, which caught the attention of California Governor Leland Stanford, who asked Muybridge to photograph his prize-winning horses. Muybridge readily agreed, embarking on a project that he hoped would answer the age-old question: does a running horse ever get completely airborne? (Above)

Taking a rapid succession of shots, Muybridge showed that, yes, horses did indeed remain airborne; he also realized that motion could be captured among humans, too, capturing the images below and inspiring and inventors, most notably Thomas Edison, who used Muybridge’s work as a springboard to develop motion pictures.

Muybridge died in 1904, back in mother England, but his artistic and technical impact remain world-changing even today: without Muybridge we wouldn’t have Black Panther, after all.

After the jump, four more early Muybridge images capturing motion in action.

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Tomorrow Tuesday: “Avant Garde,” The Mag, The Font

I gotta keep this week’s Tomorrow Tuesday short, but wanted to share a bit about Avant Garde, the font Herb Lubalin and Tom Carnase designed for Avant Garde, the future-thinking culture magazine Ralph Ginzburg edited from years 1968-1971.

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